Basic Information
| Field | Details |
|---|---|
| Full Name | Janina Castaneda |
| Also Seen As | Jannina Castaneda, Janina Castenada (variant spellings in media) |
| Known For | First wife of Scott Weiland; referenced as inspiration behind lyrics in select Stone Temple Pilots songs |
| Marital Status | Married to Scott Weiland (1994); divorced circa 2000 |
| Marriage Date | September 17, 1994 |
| Children | None publicly documented with Scott Weiland |
| Occupation | Not publicly documented |
| Public Presence | Low-profile; appears in press mainly through references to Weiland’s life and work |
| Nationality | Not publicly documented |
| Primary Public Associations | Stone Temple Pilots (via Weiland), “Interstate Love Song,” “Sour Girl” |
| Current Activities | Not publicly documented |
Early Glimpses and a Deliberate Low Profile
Some people move through culture like thunder, others like mist. Janina Castaneda belongs to the latter group—visible mainly when spotlit by the story of someone else, then quickly returning to privacy. Her name surfaces in the 1990s during Scott Weiland’s meteoric rise with Stone Temple Pilots, and again around the turn of the millennium as that marriage ended. Beyond those touchpoints, the public record remains sparse, and that scarcity is telling: it reflects a consistent choice to live offstage even as the stage lights burned brightest.
The available portrait is small yet distinct. It sketches the early years of a relationship forged during one of rock’s busiest decades, a brief shared chapter caught in the crosswinds of touring, fame, and personal upheavals. For researchers, fans, or curious readers, Janina is the kind of subject that asks you to read the edges of the page. The center—her own voice, professional life, family background, or day-to-day pursuits—stays intentionally unwritten.
Marriage to Scott Weiland: Dates, Milestones, and Turning Points
As Stone Temple Pilots accelerated into the mid-1990s, Weiland and Janina formalized their partnership. The marriage on September 17, 1994, coincided with a period of heavy recording, relentless touring, and rapidly multiplying public demands. Those years were crowded with studio deadlines and road miles, the sort of schedule that compresses time and inflates pressure.
The relationship, like many orbiting the music world’s intense rhythms, didn’t endure the decade. By around 2000, reports of the marriage’s end entered the public timeline. What remains from that span are flashes: wedding announcements, references in interviews, and—most memorably—suggestions that lyrics from some of Stone Temple Pilots’ most discussed songs were tethered to this relationship.
Key Dates and Public Milestones
| Date | Event |
|---|---|
| 1993–1994 | Relationship becomes publicly visible during STP’s early peak years |
| September 17, 1994 | Marriage of Janina Castaneda and Scott Weiland |
| 1994 | “Interstate Love Song” released; later framed by Weiland as rooted in relationship tensions |
| Circa 2000 | Divorce reported; the end of the marriage filters into music press timelines |
In the Lyrics: Interstate Love Song and Sour Girl
Art often leaves the clearest watermark on a private story. Weiland later connected two well-known Stone Temple Pilots tracks—songs with their own enduring afterlives—to the rise and fall of his relationship with Janina.
“Interstate Love Song,” released in 1994, became a generational anthem, a mid-tempo burnish with words about deception, distance, and the fragments left behind by absence. Weiland’s reflections in later years cast the song as a mirror of personal truth-versus-tour dynamics, a confession wrapped in melody.
Several years later, “Sour Girl” (released around 2000) presented a different tone—wistful, haunted by aftermath, and often read as a postscript to a relationship that had come undone. Weiland linked it to the collapse of the marriage, an afterimage of that story etched into a pop structure elegant enough to chart and durable enough to resonate long after the decade turned.
Song Associations (As Later Framed by Weiland)
| Song | Year | Relationship Context (as publicly described) |
|---|---|---|
| Interstate Love Song | 1994 | Written about lies and strain amid a long-distance relationship during touring years |
| Sour Girl | 2000 | Inspired by the emotional fallout following the end of his marriage |
These associations, repeated in interviews and retrospectives, are the chief reason Janina’s name persists in music history. She is the unseen interlocutor of those lyrics—the “you” and “we” behind the hooks.
Family Members and What’s Publicly Known
The public record is narrow: Janina is best documented as Scott Weiland’s first wife, with their marriage beginning in 1994 and ending around 2000. There is no reliable public documentation of children from that marriage, nor independently verified profiles of parents, siblings, or later partners. Biographical databases and music press summaries tend to reiterate the same basic facts without new detail, suggesting that Janina has successfully kept family life and personal history out of public circulation.
That absence is, in itself, meaningful. Many figures adjacent to celebrities end up cataloged beyond their preferences. Janina’s footprint—carefully small and seldom updated—implies boundaries that have held across decades of curiosity.
Media Presence After 2015
When Scott Weiland died in 2015, retrospectives revisited the chapters of his life with the band, his struggles, and his relationships. In those looks back, Janina’s name resurfaces as part of a broader chronology: early love, a 1994 wedding, the songs that rose during and after that period, and the eventual divergence of their paths. These mentions largely republish established facts rather than introduce new ones, a pattern consistent with the quiet of the intervening years.
The story that emerges is layered by time: first as contemporary news in the 1990s, then as context in the 2000s, and finally as history in the years after 2015. Across those layers, Janina remains a subject defined by negative space—most clearly seen by the shape of what she does not publicize.
Interpreting a Life Largely Offstage
Janina Castaneda’s public narrative is lean and spare, but not empty. It tells us about the costs of proximity to fame, the way touring can stretch the string between two people until it hums, and the strange immortality that comes from being distilled into a chorus. She isn’t a celebrity with an archive; she’s a person whose life intersected with one long enough to be archived by others.
If you approach her story expecting the usual scaffolding—birthplace, early education, detailed career—there’s little to grasp. Instead, what’s notable is endurance: the durability of personal privacy in an era that tends to erode it, and the continued resonance of songs that carry private truths into public rooms. In that sense, Janina stands as a reminder that not every biography belongs to the spotlight, even when the spotlight is the only reason we know the name.
FAQ
Who is Janina Castaneda?
She is best known as Scott Weiland’s first wife and appears in music histories mainly through references to their relationship.
When did she marry Scott Weiland?
They married on September 17, 1994.
When did the marriage end?
The marriage ended around 2000, as reported in multiple biographical summaries.
Did Janina and Scott Weiland have children together?
There are no reliable public reports indicating that they had children together.
Why is she linked to Stone Temple Pilots songs?
Weiland later described “Interstate Love Song” and “Sour Girl” as connected to their relationship and its aftermath.
Is there a public record of her career?
No widely verified information about her occupation or professional life is publicly documented.
Are there interviews or public statements from her?
Authoritative interviews from Janina herself are not publicly known.
What else is known about her family?
Beyond the marriage to Weiland, there is no dependable public documentation of other family details.
Does she have a public social media presence?
No clearly verified public profile has been established in reputable sources.
Why is information about her so limited?
She appears to have maintained a private life, and most references to her arise only in the context of Weiland’s career and memoir-like reflections.
